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Analogue Loaders animated film

This animated film is called Analogue Loaders, created by London-based director Raphael Vangelis. He specializes in design driven animation projects ranging from short films and music videos to TV commercials.

I love what he says about it: “This short film is my animated autobiography. I spend most of my life swearing at the computer because it’s crashed or isn’t working. Here, well known digital symbols are turned into something analogue and playful. The result is an homage to all the lost time we collectively spend in digital limbo in the hopes of sudden development on our screen.” So, true!

You can also watch the -very entertaining- making of the film here.

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Stylized photographs with color and texture

Photographs for Herman Miller

Photographs for Herman Miller

Photographs for Gray Matters

Photographs for Iacoli & McAllister

Photographs for the Frye Art Museum Store

Rock Studies

This is the world of photographer and director Charlie Schuck. He creates dreamy, fictionalized setups with careful color composition and texture combinations, that compliment each other perfectly. His long list of clients include well-known brands from the world of  fashion, technology, banking and also many magazine publications.

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It’s Friday!

Gif animation by Nicolas Monterrat from “Un gif dans ta geule”

A  selection of interesting links from the wonderful world of the internet!

Have a great weekend!

Embroidered portraits by Cayce Zavaglia

Embroidered portraits by Cayce Zavaglia

Embroidered portraits by Cayce Zavaglia, reverse side

Embroidered portraits by Cayce Zavaglia

Embroidered portraits by Cayce Zavaglia, reverse

Embroidered portraits by Cayce Zavaglia

Embroidered portraits by Cayce Zavaglia, reverse

These amazing portraits are all created with embroidery. For each artwork, what you see here is, the front and back of the same embroidery. Cayce Zavaglia is an Australian artist, who originally trained as a painter, but switched to embroidery a few years ago. The work is all hand sewn using cotton and silk thread or embroidery wool.

She says: “A few years ago, I turned one of my embroideries over and for the first time saw the possibilities of a new image and path for my work that had been with me in the studio for so long but had gone unnoticed.  It was the presence of another portrait that visibly was so different from the meticulously sewn front image…but perhaps more psychologically profound.  The haphazard beauty found in this verso image created a haunting contrast to the front image and was a world of loose ends, knots, and chaos that could easily translate into the world of paint.”  

She then decided to return to painting and trying to render these very interesting “reverse” images.

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